Low Cut Connie

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CRITIC’S PICK
Low Cut Connie (Brooklyn, N.Y.)
Rock

If you think Piano Rock is all Billy Joel and Elton John, sorry will be a much easier word for you after you’ve experienced the 88-key onslaught of Low Cut Connie. Featuring the manic piano fireworks of Adam Weiner and the ambidextrous drum/guitar magic of Dan Finnemore (and a full band’s worth of mayhem on tour), Low Cut Connie entertains with a vengeance and accepts nothing less than total surrender. Their first two albums, 2011’s Get Out the Lotion and 2012’s Call Me Sylvia, are loaded with catchy numbers that feature a lot of humor but stop well short of being simple novelties and showcase the duo’s disparate influences (Jerry Lee Lewis and Iggy Pop for Weiner; British Punk and Garage Rock for Finnemore). Low Cut Connie’s latest triumph was a spectacular version of Harry Nilsson’s “Jump Into the Fire” on the Nilsson tribute This is the Town earlier this year, and rumors of a third album continue to swirl. But right now, the play’s the thing. See Low Cut Connie and marvel at the things a piano was never meant to do but should have been doing all along.

YDIIYD: Ben Folds dipped in speed and forced to play Replacements and Stooges songs in a seedy cabaret. (BB)